Crime Films Essay -- essays research papers fc

Crime Films When looking at the crime film it is important to understand the nature of the films genre. The genre is a way for the audience to distinguish types of films. These are categorised together because of standard protocols developed for a particular types or styles of film. These films usually follow similar guidelines in order to produce a predictable style for the audience. The development of genre films is not entirely the prerogative of Hollywood. It is more the desire of the public viewing audience to have an idea of the type of film they are about to see. The western, musical or the gangster film are examples of genre films. These categories of films all have similarities in the ways in which they are made: musicals end happily; the westerns will all have the final shoot out; and the gangsters will all be overcome by justice or meet their own demise. The reason for the consistency in the films is the publics desire to make an informed choice not and not to go in blind. By using the genre qualification, the industry is able to target societal groups and try to produce and market what they want to see. The public attends a film because they think they might enjoy some aspect of it. The film genre follows a set of abstract rules that allows the public to informally categorize films. These rules must be viewed from an flexible point of view in order to legitimize their future existence. By using this method of categorizing films the public is able to decide which films they wish to see and those they do not. Some people love musicals and if they were to go to one and find there was no music or dance they might not be too pleased. The concept of genre is one that may provide benefit to the viewers but at the same time may also present problems for the directors who must compromise their artistic aspirations. Examples of this can be seen in the production of sequels, and the use of repetitive set qualities. These may include the mise en scene of the picture or the inclusion of similar sound. Because of these unwritten rules the directors must include some of the familiar aspects of the genre. The greatest problem may be that the film must fall into a genre category. Defining it within the genre may be compromising to the nature of the film. Scarface (1932 U.S.A. - Howard Hawks ) is a f... ...s that are felt for the characters can for the most part be generalised by saying that the "principle" of the film is most often the character that receive the greatest attention. This is fundamental in the understanding of a film and in the deliverance of a story. The apparent identification with characters of certain types of films is totally dependent upon the desires and expectations of the viewer. It is the ability of the audience to identify with the central characters of a film that keeps them watching. The use of the imagination or a simple wish to be exposed to other possibilities are the fundamental reasons for entertainment. The criticisms being aroused by those who are opposed to the way in which crime is occasional depicted, believe that real life and the stories told by films are becoming increasingly similar. The criticism can be justified in some respects but by justifying these criticisms there is an implied ignorance for the individual intelligence of the general population . Bibliography David Bordwell, Kristin Thomson, Film Art an introduction: McGraw- -Hill,Inc.:University of Wisconsin,1993. Graeme Turner, Film as Social Practice: Routledge, 1993.